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Thursday, February 14, 2019

Interracial Figures of the American Renaissance Essay -- Literature Es

Interracial Figures of the American Renaissance This essay examines Cora from The closing curtain of the Mohicans, Frederick Douglass, and Harriet Ann Jacobs. The American Renaissance marks a period of accessible impairment and the fight of the minority to bring about social change. Women and African-Americans (who were freed or fly from slavery) begin to gain a parting through literacy, and use that voice to start the movement to abolish slavery and gain women rights. The development of literacy makes it unimaginable to ignore women and African-Americans because their writing provides a permanent record of the horrors of slavery and sleaziness of oppressing the minority groups. Furthermore, the gain in literacy by these groups makes Anglo-Saxons face the realities of their world and challenges the American day-dream. Perhaps the most fascinating result of the destruction to the American dream is the introduction of the interracial character. During this period of history (a nd long after it) the figment existed that the races were pure. Judith R. Berzon in her book Neither White Nor Black The Mulatto Character in American Fiction, attributes the emergence of interracial characters in the nineteenth and twentieth atomic number 6 to (1) a widespread fear of miscegenation (2) the tenacious view that mulattoes argon a degenerate, sterile and short-lived breed (3) the unresolved dilemma of the social and economic roles of the emancipated African-American and (4) the unease with which Caucasians generally regarded those who carry traits of some(prenominal) racial groups (19). The interracial characters exposed the reality in America, that the children of slaves on the plantation were a result of white slave owners having intercourse with their slaves. Co... ...s, an American Slave. capital of Minnesota Laufer, ed. The Heath Anthology of American Literature, vol 1, 3rd ed. Boston Houghton Mifflin Company, 1998. Douglass, Frederick. What to the Slave Is the Fourth of July. capital of Minnesota Laufer, ed. The Heath Anthology of American Literature, vol 1, 3rd ed. Boston Houghton Mifflin Company, 1998. Jacobs, Harriet Ann. Incidents in the Life of a Slave Girl. Paul Laufer, ed. The Heath Anthology of American Literature, vol 1, 3rd ed. Boston Houghton Mifflin Company, 1998. Kinney, James. fusion Race, Sex, and Rhetoric in the Nineteenth-Century American Novel. Westport, Connecticut Greenwood Press, 1985. Mills, Charles W. Whose Fourth of July? Frederick Douglass and Original Intent. beak E. Lawson and Frank M. Kirkland, eds. Frederick Douglass A Critical Reader. Massachusetts Blackwell Publishers, 1999.

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